Anitya // Skandhas, 2015

A Collaboration with The Observatory & Elizabeth Lim & Andrée Weschler

ANITYA // SKANDHAS is the fourth in this ongoing interdisciplinary experiment, exploring the relationship between sound and other forms of performative expression. The Observatory and performance artists Andrée Weschler and Elizabeth Lim explore the Buddhist concept of the Five Skandhas -- form, sensation, perception, impulse, and consciousness. 

Sounds directly linked to physical movement and actions by the artists are filtered and manipulated by members of The Observatory. Connections and ruptures between sight and sound, cause and effect, are dramatically heightened, raising questions about the Skandhas, the true self and what makes us human.

As an art experiment, ANITYA // SKANDHAS feeds ancient concepts through contemporary practice to better understand the human condition.

Latent Spaces, Haw Par Villa Warehouse 

Pictures by The Idealist

Innocence #03

ICASTICA 2013, First Women Biennale, Arezzo, Italy

Picture by Anita Vozza

Italy 2013 Picture by Anita Vozza

Innocence

“In 2006, my life was a desert. Everybody seemed busy, active, alive, while I was a prisoner in my own apartment. Nothing was happening in my life, and I felt I was a thing among others in my home. One day I received from a friend a pack of clay. I started to roll small pearls of porcelain from the clay for no reason. They were cute. To escape from my lethargy, every night I rolled pearls made of porcelain, like Penelope weaving her tapestry while waiting for Ulysses, except that in my story there was no Ulysses. All the pearls together became a very long necklace of a few metres; very beautiful, very difficult to move, very heavy.”

This was some years ago and for me it is now impossible to repeat that work. Everything has changed since then: the others and I. Therefore the symbolism of the pearls has evolved as well. This time the necklace will weight 50 kilogrammes to embody my 50 years of life. It was a spontaneous idea that I had, which I expressed the idea with joy; 50 is a number so easily said but 50 kilogrammes of porcelain can be tedious and laborious.

Italy 2013 Picture by Anita Vozza