Can a first performance be truly relived? [2003-2015]

Can a first performance be truly relived? [2003-2015] 

In 2003, I finally accepted that I was living in Singapore and that my time in Japan was over. I decided then that it was about time to meet artists and to look for a space for an exhibition. Lee Wen invited me to participate to the first FOI. It was the first time I was invited to an art event, I was very happy to be invited but the last thing I wanted to do in my art practice and in my entire life was a live performance! However I thought that if I refused, I may never be invited anymore, so I said yes. For three weeks, I was completely petrified, worried, and tense.EndFragment

My performance was titled after Jean-Pierre Enard’s book 'To make little hoods blush'.

How the performance surprised me! It was an enthralling feeling as if I were a puppet conducted by a mysterious puppeteer.

Since then my relationship with performance has vacillated between love and hate.

For FOI 10, I will try to re-do my first performance art as if it were the first time. Can a first performance be truly relived? [2003-2015]


Eulogy by Andrée Weschler and Sabrina Koh, 2015

By common definition, Eulogy (noun) is a speech or a piece of writing that praises someone or something highly, especially a tribute to someone (who has just died). In this duo exhibition by Andrée Weschler and Sabrina Koh, the installation suggests an independent view from each artist, and alternatively, where both settings meet.

Flaneur presents the two artists will make tribute to the people and objects which they have lost along their domestic journey, and perhaps in their own meeting point, to relive those settings in context of the other’s. Andrée Weschler is interested in giving her eulogy to the lost domesticate(d) objects that carry the journey of home stories, while Sabrina Koh aims to reposition and p(raise) the relationships we build in a domestic setting; given or not.

"In this confessional piece of work, we thought about the 'silent' sent-offs of loved ones and objects, and have found that particularly inspiring and relevant to the roots in this metropolis home." - Andrée Weschler and Sabrina Koh

Amputation, 2006

Amputation is an installation of medical tools hypothesizing failure as the naissance of healing: one needs to be sick before one can heal. The installation’s tools belonged to Andrée’s family doctor who was simultaneously caregiver and spectator to her and her family’s lives. This work is done in his memory

Singapore Art Museum

 

Some Flowers to Make it Look Beautiful, 2004

Flower n. 

1. that part of a plant that produces seeds.

2. the flower of, the finest part of

3. the flower of speech, ornamental phrase

Oxford Advanced Learner’s Dictionary of Current English

 

The Hairy Virgin

The Hairy Virgin is a true story of a girl whose entire body was covered with hair. She was introduced to the King Charles the 4th, Emperor and King.

In his book “Histoires Prodigieuses”, Pierre Boaistuau explains that during her pregnancy, the mother of the Hairy Virgin had seen a statue of Saint John that was covered with animal fur. With the power of her imagination, the mother “transferred” the hair onto the body of her forthcoming baby. The maternal imagination has the power to shape the progeny, it is called the “monstrous imagination”.

“A hairy virgin was shown completely covered with hair like a bear; she was born thus deformed and hideous because her mother had gazed too intensely upon an effigy of St John dressed in animal skins which hung at the foot of her bed when she conceived.

It is certain that these monstrous creatures most often are the consequence of divine judgment, justice, punishment, and curse; horrified by their sin, God allows [women] to produce such abominations because they hurl themselves forward indifferently, like savage beasts that only follow their appetites, with no consideration of age, place, time, and the other laws established by Nature”

Pierre Boaistuau, Histoires prodigieuses, 1560

Black #02

Black #02 is part of a  series of performances using the colour black. The material for the Performance Art is a pair of  Black Stocking and Red Shoes. The initial inspiration of the performance is a memory of Weschler's childhood:

 "In 1975 I was 12 years old, I was still a child and not a teenager yet. It was the seventies, the era of the platform shoes and wide-legged, flared jeans. I wanted to wear stockings with my skirt and I asked my mum to buy me a pair. Fashion for   children at that time was limited and it was difficult to find a pair that  would suit a 12 year old’s skinny body, they were either too big for a child or too small for a woman. My beloved mum bought me the smallest pair she could find. I tried them on and   they were too big for me that I could squeeze in all my body inside except   for the head. When my mum asked how they were fitting me, I remember that I replied that they were great and I walked in front of her with my platform shoes, the torso and two arms inside the stocking

An artist conveys images"



The Memory of Water, 2012

The Memory of Water, is part of Singapore Intensive, presented by Future Perfect, Gilman Barracks, Singapore

Journal of an artist who does not want to write a statement

11th of July 2012: I decided to write a journal to document the creation and thought process of the project until its finalized. The intention of the journal is humble; the ambition, non-existent. Maybe it will satisfy my personal curiosity, which is to understand the mystery of where an idea comes from. Last night I heard the story of Leopoldine, the eldest daughter of Victor Hugo. She went to a promenade on a bank on the rive Seine. Her young husband was with her. The boat tipped over and Leopoldine fell into the water. She did not know how to swim, and her husband dived to save her but could not take her out of the nets in which she got tangled. Understanding that he could not save her, he embraced her and they died in each other’s arms. The bodies were found embracing each other and Victor Hugo had them buried in the same coffin.

I just finished a book that I did not really appreciate but that inspired me to write a diary. The writer wrote a small diary at the end of his novel. I enjoyed traveling in between the two spheres, from the world of his fiction to his reality. There is an innate curiosity to find out what lies backstage.

18th of July 2012: My father asked me today, as he looked deep into my eyes, if I knew what is the most important thing in life. I had an idea but I thought I’d better listen. He said that life is short; everything passes by so it is very important that I enjoy what I am doing, and please myself. 

I hope I will not forget this. This is why I wrote it down.

10Th of August 2012: Thinking of a title. Looking for words that speak about liquids, fluidity, stains, marks, stories… 

Collection of titles: The Memory of Water - Black Milk - Blue Beard - Chinese Ink - Made of liquid (title of a song) - Le rêve entouré d’eau (title of a novel by Bernard Chapuis)

25th August 2012: I have an image in my mind: it is a small circle made out of black ink on which I’ll project a video. Will it render the image in a more fragile way?

I have decided to have three projections:  one on Chinese ink, one on a blue liquid and one on milk.

4th September 2012: The colors... Why these three colors? White is innocence, purity, symbolizing what has not yet been tainted. Blue is the color of the imagination, it reminds me of the fairy tale ‘Blue Beard’ by Charles Perrault. Black is dark and infinite, just like unhappiness.

29th September 2012: I bought three pots. Now I can start to work on the videos and see how they will interact with the pots.

18th October 2012: Only one more month left. I was asked to write a statement but for the moment my only concern is the milk. Everyday I am doing a new experiment with different types of milk. I am looking for a type of milk that does not age! What I really mean is one that does not ferment. I tried fresh milk, skinny milk, super skinny with no taste, milk in powder and condensed milk. 

20th October 2012: I tested the pots. Each pot can contain 76 liters!

21st October 2012: This morning I received an SMS from a friend: “Andrée, my friend said that you have to pasteurize the milk. Basically, heat it at high temperature, 100 Celsius for about 30 to 40 seconds then store it in a cold place. Pasteurization will kill the microbes and slow down the spoiling process, but it will still spoil. There is no other way than this one. I asked her if you still needed to pasteurize milk that comes in a carton and has already been pasteurized. She said: “yes”.

24th October 2012: I met a writer who is also a storyteller. He said, among many other things, that for him artistic creation starts with an intuition. I would say that it starts with an instinct. Intuition is much more beautiful. Each of his words were carefully chosen. I wish I could master words. With me, everything comes from spontaneity. When I speak I listen to others discovering with surprise sometimes what I am saying. My performances are like that too. I never know what I will do or what will happen and after my performance, I cannot recall some of the actions. What I like the most of when I perform is when I detach myself from my body as if I was levitating and looking at myself. This is Nirvana.

30th October 2012: I have done a few tests on small pots the few last weeks. When seeing them for the very first time, the visual was incredibly exciting and magical. The videos need to be edited in a round shape to fit into the pot. A round shape is easier said than done because there are many ways to make it and technology is never simple to me. I need help.

5th November 2012: Not happy with my new video of honey, everything is yellowish and this agitates me. There will be no peace until the color is right. Have to redo it. 

6th November 2012: Next week I am installing the work into the space and I’m still writing now… It is early morning and everybody is still sleeping. It is a strange feeling that I am working for 4 months on a project with only an image in head that I am trying to recreate and there is no work to be seen. Nothing is tangible yet. I have some pots behind me and some bottles of ink in another corner. However, the lighting is ready but nevertheless I am feeling butterflies in my stomach. I will orchestrate all these things in the space. This gives me an adrenaline high. I worry that I will not be able to re-create the magic I experienced, of the very first time I tried this.

 

Innocence #05

Innocence #05 is the last piece of a series of performance using only white material. 

Material used for innocence #05 is Honey

"Each time I go back to France I enjoy climbing up to the attic of my parent's house and look for memories from my childhood. One box, my favourite, contains belongings of my late grandma. It is a treasure box for me. It has been a few years now that I have been performing in her undergarment" 

Singapore 2008, Picture by Daniela Guerra

Singapore 2008, Picture by Daniela Guerra